Keep the Balance on a Back Curve (2018)
for Katherine Weintraub
alto saxophone
7 minutes

The Watching (2018)
for the Lyra Society of Philadelphia
alto flute, harp and viola
6 minutes

Lungfuls of Dusk (2018)
for Liz Pearse and the Cochlea Duo
text by Stephanie Anderson
voice, alto flute and harp
6 minutes

Net(work) (2017)
for Switch Ensemble
violin, cello, piano and electronics
7-8 minutes

Night Music for Shulamit Ran (2016)
piano solo
2 minutes

Automaton (2015)
for Katie Schoepflin
bass clarinet
10 minutes

Pocket (2014)
for Beyond This Point Percussion
3 percussionists
9 minutes

Nilas (2013)
horn, piano and percussion
6 minutes

Rundfunk (2012)
for the McCain Duo
bass trombone and piano
7 minutes

Scattering Bright (2012)
for the Hayes/Peterson Duo
flute and percussion
10 minutes

The Art of Falling (2012, rev. 2017)
solo piano
8 minutes

Average Bureaucrats (2010-11)
for Line Upon Line Percussion
percussion trio
18 minutes

Gentleman Loser (2011)
for Concert Black
flute, contrabass, and percussion
5 minutes

Wind Among the Reeds (2010-11)
for Amber Alarcon
mezzo-soprano and piano
17 minutes

Brassploitation (2010)
for LT Townshend
tuba (or bass trombone) and piano
9 minutes

Ficta (2010)
for Steven Parker and Molly Emerman
violin and trombone
8 minutes

Dream Logic (2017)
for Copland House
clarinet, violin, cello and piano
8 minutes

Signs and Wonders (2017)
for Imani Winds
wind quintet [fl(picc).ob(EH)] 12 minutes

In Memory’s Twilight (2016)
for eighth blackbird
flute, clarinet, violin, cello, piano and percussion
13 minutes

The Norms of Epic (2016)
for Quince Ensemble
4 female voices
12 minutes

Ruckus (2015)
for Ursa Ensemble
17 minutes

Loose/Together (2015)
for Pacifica Quartet
string quartet
13 minutes

Time, Thickened (2014)
for the University of Chicago New Music Ensemble
12 minutes

Apertura (2014)
for Ensemble Dal Niente
8 minutes

Loggerheads (2013)
for the University of Texas San Antonio Trombone Choir
2 Antiphonal Trombone Quartets

Harold en [Blanton] (2011)
for the Blanton Museum of Art
open instrumentation

Hearing Voices (2010-11)
for the University of Texas New Music Ensemble
25 minutes

Lieve Louis (2009)
for the University of Texas New Music Ensemble
1 minute

That Dark Electric: Concerto for Trombone and Chamber Ensemble (2018)
for Steven Parker and Ensemble Dal Niente
22 minutes

To Paint Their Madness (2016)
commissioned by the Fromm Music Foundation at Harvard University
for Ensemble Dal Niente
10 minutes

Bizzarie di Figure: Omaggio a Bracelli (2016)
commissioned by the SoundSCAPE Festival
chamber orchestra
10 minutes

Brittle, Not Breaking (2016)
for the Civic Orchestra of Chicago
chamber orchestra
6 minutes

Gods of Iron (2018)
for the Civic Orchestra of Chicago
7 minutes

Barnstormer (2012)
for the Sacramento Youth Symphony Chamber Music Workshop
string orchestra
8 minutes

Holy Thursday (2009)
soprano and orchestra
8 minutes